Although Ardour 2.8.9 no longer suffers from the subtle bug that caused the mute button(s) to no longer work by default, many users of Ardour will not see the situation change until they remove their
~/.ardour2/ardour.rc file. This probably contains default settings for mute like this:
<Option name="mute-affects-pre-fader" value="yes"/> <Option name="mute-affects-post-fader" value="yes"/> <Option name="mute-affects-control-outs" value="yes"/> <Option name="mute-affects-main-outs" value="yes"/>
If your version of this file has
value="no" for those options, you should either edit it by hand (its just a text file) so that it says
value="yes" instead or just remove the file entirely. Editing is preferable, but removing the file will not hurt. Note that the following values
y,Y,1,yes,Yes,YES are all equivalent to "yes" and similarly
n,N,0,no,No,NO are all equivalent to "no".
You should also check the file
/etc/ardour2/ardour_system.rc, or a related location if you installed Ardour somewhere non-standard) for the same issue, though it is less likely to be seen there. Do NOT remove this file - if it contains "no" as the settings for these options, you should edit the file.
People sometimes criticize a piece of software as being "unintuitive". In fact, its one of the most common complaints you'll hear whenever anyone starts using a new piece of software. Its often entirely justified too - its rare that a complex application manages to be obvious to every new user, or even most new users. Some software developers have a good track record here, Apple in particular, whose rules and guidelines for how to design user interfaces keeps on manage to churn out remarkably intuitive software. Well, it does as long the application is fairly simple and its scope is well defined. By the time you get to applications such as Final Cut Pro or Logic Pro, it would be hard to find anyone who found them "intuitive" in the same way that, say, iTunes or even Garageband is. Read more below ...
Lets collect some photographs of Ardour setups, perhaps with info on the other gear you're using it with. It doesn't have to be fancy - anything that might help convince others that Ardour might be a useful tool for them. You can include a link to a small photo in an <img> tag, and then include the text of the full link - I or someone will convert into a proper link later. First up, Niels Ott in Tübingen, Germany
For some time there have been reports on IRC from users of various Linux distributions that some feature of Ardour is broken. It is getting increasingly tiresome that we end up as the frontline support for breakages that are distro-specific and that we cannot control. These problems waste my time. It would be nice if they would go away. Meanwhile, there's more below on what users of Ubuntu and Gentoo can do ...
In February, the shortest month of the year, the Ardour user community provided US$4500 of funding. Because of this, I have temporarily suspended my plans to find other work, and will continue working full time on Ardour other than for a couple of short term contract efforts. I cannot thank everyone who contributed enough, and I only wish there was enough to support the amazing work that Dave Robillard and Hans Baier continue to put into the MIDI side of things, as well as Carl Worth who has been very active recently. We reached another new milestone in February as well - 200 active subscribers! Subscribers provide some continuity to funding, and watching this number rise during last month has been very gratifying. Next week (ending March 7th) I hope to release Ardour 2.8 (as described in a story below this one), and then do some long-awaited work on the website. After that, I will return to working in a very focused way on 3.0 to try and get it ready for an alpha release before the spring equinox. Thanks again to everyone, I only hope that future months can meet or exceed this level of support.
Some updates on my recent work on the 3.0 branch, including tempo-based time for MIDI regions and (once again) working MIDI control surfaces.
Today is my last day in Berlin. Tomorrow, I board a morning flight back to a sinking economy, a broken dishwasher, and plumbing tasks, but also the rest of my family (who returned to the USA before me). My time as the Edgar Varese Guest Professor at the TU Berlin has been great. The city is wonderful, and I will miss it very much. It is also a hot bed of audio software development, including such powerhouses as Abelton, Native Instruments and Torben Hohn (hi Torben!). My family had a really wonderful experience here too - my daughters had their eyes opened to both the pros and cons and life on the other side of the Atlantic. I'd like to thank Folkmar Hein, Wilm Thoben, Ecki Güther and Florian Goltz for excellent company in (and occasionally out of) the TU Studio, the DAAD for making my visit to Berlin possible, and the students who attended my 2 classes.